"A man's character is his fate." Heraclitus
Over the past month, I've been re-watching Battlestar Galactica from the perspective of modern myth, as well as strikingly poignant melodrama. I realize that there's not a whole lot at this point that can be said about this show that probably hasn't already been said before, somewhere else, but I still can't resist tossing in a few passing thoughts.
First, I found myself thinking a great deal about the tired argument of determinism versus free will in the light of ourselves as individuals, as personalities, rather than it being a matter of the inherent nature of the universe. This shift of emphasis is key.
The decisions that we make at any given point are in a real sense "pre-determined," as who we are is defined in many ways by the decisions that we make when faced with specific questions. Though there is no way to test this for sure, it stands to reason that if we are again faced with the exact same dilemma, while in the same frame of mind, being who we were at that moment, we would make the same decision. Again, and again, and again. It is fixed. And these decisions have very little to do with the rationalizations that we may convey to them, they have much more to do with an amalgum of hard-wired responses mixed with what we can kind of crudely call our software. Less mechanistically, many traditional theories of economics have proven themselves flawed - that is, theories that are based on purely rational "game theories" - because they don't take into account any of the cultural or emotional elements at play. The Dow reflects confidence of a certain kind far more than anything tangible.
So, in a manner of speaking, all prophecies are self-fulfilling. But the fixed point is identity, not externally driven destiny. A man's character is his fate.
This isn't a new idea to me, I play with it some in the novel I'm working on now (Fallen Nation: Party At The World's End)-- but I feel it is dealt with quite well by the BSG writers.
This leads me to another underlying element of the cosmology of BSG, the idea of Eternal Return. This is dealt with in different ways by philosophers and writers over time, but it essentially boils down to the idea that in an infinite universe, the same cycle of events will occur time and again. This idea is somewhat distinct with the idea of Eternal return that Eliade explores, altough there is a way in which this pertains to BSG plotlines as well. This is how prophecy and destiny can be said to occur from the outside, as we are not perhaps without free will, but in an infinite universe, we are possibly committed to playing the same role as one who has come before, and before them, and so on into infinity as well.
The wikipedia article has a number of starting points that you can explore on this. I found this particular amusing: "The first line of Disney's Peter Pan is "All of this has happened before, and it will all happen again." This line has been cited as the inspiration behind the same theme in Battlestar Galactica."
Though I'm not much for plot analysis, or getting spammed with complaints of spoilers, I feel that a show that has run its course can be opened up in such a way. So close your eyes now if you've not seen it, and enjoy the series-- for its occasional failings it is in my opinion one of the best Sci-Fi Television shows ever produced. (And it is all available Instantly on Netflix.)
When the Cylons and Colonials discover the first Earth, they discover an Earth that came before -- itself raviged by nuclear war. Throughout the series by that point we've seen various elements of what could be described as prophecy -- events re-occuring in a similar to way as how they had thousands of years before, like when they encounter the Eye of Jupiter -- and there is the idea of "floods," as Baltar refers to them when dying on the Basestar with Roslin (though they seem to literally be nuclear holocausts), and these are ongoing evolutionary tipping points that push the ongoing circular narrative of exodus, homecoming, recapitulation, hubris and conflict, and another flood. How many times has this happened? Hypothetically, in a truly infinite universe, an infinite number of times. The Cylons are closer connected to their genetic memory in the fact that they maintain memory through the process of resurrection, but humans and cylon alike are constantly plagued by flashes of genetic memory, and memory of their role within this never-ending drama.
On our own planet, there is some evidence that this occurs in ecosystems, where there is a stasis of a sort that occurs for a long period of time, and then there is a catastrophe or series of catastrophes, for instance a comet strike and increased volcanic activity... and then the dinosaurs come to prominence. And then over 100 million years later, bam. Same thing, comet strike and volcanos, and you have the rise of the mammals.
Though I've already railed against the idea of reincarnation in its most literal sense, this is an experience I've had many times-- of meeting someone, and feeling like I've known them before. Of a certain series of events having a certain gravity, and this nagging sense that it had happened before and would again. But what does any of that mean? And how can we know?
I don't know. How can we really know anything?
At any rate, it's a fun show.
, and completely, I mean completely, re-writing it. This will be based more heavily on the film script that Jason Stackhouse and I developed, as I think it cuts more directly to the heart of this project. It will be, all going well, just the first of several projects based within the same general world and myth. These projects will span several mediums..jpg)
), I was writing about the plunge into the subconscious that can occur with some adolescents. The entire story, (if you want to call it a story), is centered around that painfully vital, melodramatic and sometimes even terrifying feeling of not belonging, of perceiving a world that no one but your closest friends seem to see. It’s about that, and not what happened at the beginning or end of the story. Those events are just like the glue holding together this odd collage of mental artifacts. If you are telling a story that focuses on the internal, rather than the external, then a clear sense of theme and character psychology becomes even more essential, because there’s nothing else there to move it forward. Most of the content amounts to the deranged ramblings of the characters themselves, whether it is posed in first or third person.
