From the Immanence of Myth, available now through Weaponized Press.
“The apocalypse is finished, today it is the precession of the neutral, of forms of the neutral and of indifference…all that remains, is the fascination for desertlike and indifferent forms, for the very operation of the system that annihilates us. Now, fascination (in contrast to seduction, which was attached to appearances, and to dialectical reason, which was attached to meaning) is a nihilistic passion par excellence, it is the passion proper to the mode of disappearance. We are fascinated by all forms of disappearance, of our disappearance. Melancholic and fascinated, such is our general situation in an era of involuntary transparency.” Jean Baudrillard
We stand “outside the Garden,” as we said, estranged from ourselves. What does this estrangement mean? Where does it originate? What mythic repercussions does it have?
Amongst the multiplicity of myths that have played themselves out through the history of the so-called Western world, there is a single idea that seems a prerequisite for all of them. The ideological history we discussed in Pretty Suicide Machine is the legacy of this simple valuation: the priests, scientists, and even artists painted the natural order as something which must be overcome, restructured, and dominated for personal, economic, or even spiritual progress to take place. This prefiguring idea amounts to an underlying assumption that structures the world that we know today. It is not an assumption that lies under all cultural heritages: most Native Americans, for instance, had no such concept in their mythic DNA. However, it would appear that cultures that do not maintain the necessity of mastery, control, and possession quickly become the possession of cultures that do, or they are simply driven into obscurity or even oblivion.1
This is one of the premises explored at length by Horkheimer and Adorno in Dialectic of Enlightenment, “In thought, human beings distance themselves from nature in order to arrange it in such a way that it can be mastered.” Though this thesis is arrived at in part through only considering the negative function of myth, their point is valid nevertheless. Mastery of nature is far from the only valuation that shapes our heritage, but it is a ubiquitous one. The myth of ownership, the myths of social hierarchies, the myth of capital, individuality, freedom, and so on are all the true backbone of our culture, for better and worse, and all of them are informed by this valuation.