Showing posts with label david metcalfe. Show all posts
Showing posts with label david metcalfe. Show all posts

Tuesday, July 03, 2012

The Forbidden Book - A Review

"...the magician of (Giordano Bruno’s) De vinculis is the prototype of the impersonal systems of mass media, indirect censorship, global manipulation, and the brain trusts that exercise their occult control over the Western masses."
- Ioan Couliano, Eros & Magic in the Renaissance

For those uninitiated into the magical roots of heroism, Disinfo Books (now a division of Red Wheel/Weiser/Conari) recent publication of The Forbidden Book provides an interesting thought experiment dealing with the political and psycho-social intricacies of the heroic ideal and traditional philosophy of magic. Originally published in a Spanish language edition by Roca Editorial in 2007 as El Libro Prohibido, Guido Mina di Sospiro and Joscelyn Godwin’s novel is an important meditation on the potential political implications of esoteric practice.

In The Forbidden Book we are introduced to the Riviera della Motta family, an aristocratic family whose line has dwindled to three heirs, an uncle, Baron Emanuele Riviera della Motta, and his two nieces, Orsina Riviera della Motta and Angela Riviera della Motta. They are the last vestiges, in the imaginal world of the novel, of a lineage of Hermetic alchemists begun by Cesare Della Riviera, whose work entitled "Il Mondo magico de gli heroi" (The Magical World of the Heroes), was popularized, in our reality, by the 20th century Italian Magus Julius Evola.

Sunday, November 27, 2011

David Metcalfe Interview

David Metcalfe Interview by Rev.R4D4

David B. Metcalfe of ModernMythology.Net discusses DARPA's metaphor program, Napoleon Hill's occult background, the band Killing Joke & much more. All music tracks on David's soundcloud: davidbmetcalfe.

[Check out some of the books, albums, and soon movies produced by Mythos Media and our various media partners.]

Monday, October 31, 2011

Conscious Contact Through the Mythopoetic Web - Thoughts On Wired Ouija Boards & Liminal Events

by David Metcalfe

“Warning: Please be aware that this is a real experiment using previously unexplored technology and as such we can give no guarantees regarding consequent results and aftermath. We have taken all necessary safety precautions but are legally obliged to make users aware that participation is purely at own risk.”


– from the intro page of The Ouija Experiment





The Ouija Board, a cheap little child’s toy that has inspired a century of urban folklore, evangelical uproar and even a Pulitzer prize winning poem. That’s what happens when you put necromantic tools into mass production.

Saturday, August 27, 2011

Vivisecting Verses - DARPA Investigates the Neurobiology of Narratives


By David Metcalfe

“If I were a betting man or woman, I would say that certain types of stories might be addictive and, neurobiologically speaking, not that different from taking a tiny hit of cocaine,”
- William Casebeer of the US Defense Advanced Research Projects Agency (DARPA) in Arlington, Virginia


Despite the fact that it’s readily apparent Mr. Casebeer has never tried cocaine, DARPA’s current interest in narratives is an interesting development at an agency known for unique scientific inquiries. On April 25 and 26th DARPA held a conference called Narrative Networks (N2): The Neurobiology of Narratives. The purpose of this conference was to follow up a Feburary 26th event which sought to outline a quantitative methodology for measuring the effect of storytelling on human action.

We owe much of the early development of the internet to DARPA, along with remote viewing, remote controlled moths, invisibility cloaks and other wonders of the contemporary age. Now they’ve got their sites set on stories, and we can be assured that, in the near future, there will be some fatly funded scientific justification for what we already know. I mean, come on, Modern Mythology and Weaponized just published The Immanence of Myth exploring this very topic, and I assure you there’s more in there than a tiny hit to get you inspired.

And that’s the unfortunate thing about these scientific inquiries, they’re always years (usually centuries) behind the times. I seem to recall an author who spent his entire career developing this theory, and effectively influencing television, film and music with his ideas. Who was that? Something about word viruses? Oh, yes, William S. Burroughs. Who in turn got much of his inspiration from other thinkers like Brion Gysin, Alfred Korzybski, and really beyond all this name dropping, what true poet or writer doesn’t understand the fact that their writing takes on an effective reality?

Monday, March 14, 2011

The Myth of Attraction & the Secret of Success

“The most dangerous form of black magic is the scientific perversion of occult power for the gratification of personal desire.”


– Manly P. Hall, Secret Teachings of All Ages

Mind Science and the “law of attraction” proponents have seen their fair share of fraud trials over the history of the movement, but manslaughter doesn’t normally attend their amazing amalgam of popular mysticism. Unfortunately, what starts out as a little weekend wandering in the realms of positive thinking can get out of hand when things turn to ritual. “Practical Mystic” James Ray recently found out what happens when you start dabbling in ceremonial techniques without the proper intention. Like a recreational drug, popular mysticism gets dangerous when its gurus move into harder territory.

The roots of the Mind Science movement can be traced to the fringes of the Golden Dawn and American Rosicrucianism of the AMORC (Ancient Mystical Order Rosae Crucis), but the key to the success of the movement was in keeping their public discourse aside from the heavy ritualism of the GD and avoiding any solid mythological group identity. In the late 19th and early 20th Century they popularized Eliphas Levi’s understanding of ‘magic’ as a branch of psychology, and as the movement gained ground they developed their own terminology to define magical operations under more socially acceptable wording. Many of their writings center on the power of developing an active personal myth to promote health and wellness.

Prominent Mind Science authors such as William Walker Atkinson and Sydney Flowers were adept at using mail-order titles, journals and lectures to spread their message and develop their own modern mythology to support dissemination of their work. Their use of advertising, key words, false fronts, and self promotion would put to shame most of the best transmedia producers in the 21st century. Through the auspices of mail-order’s anonymity Atkinson was able to develop a number of authorial personas, such as Swami Pandrachani, Theron Q. Dumont, and Magnus Incognito, that he used to approach different markets with his ideas. He also used multiple publishing houses, all of which operated from the same address and under the control of Atkinson, to appeal to a wider audience.

While the authors themselves often had ties to more ritualized practice, their writings always focused on the philosophical end of their ideas. Ritual practice was left to an individual’s proclivities, and if a student were to seek out deeper involvement it would have had to have been through one on one contact or their own devices. Due to this adherence they never faced a case in court that dealt with anything more serious than mail fraud and false medical claims.

Rather than creating centralized groups they focused on building a personal myth for their authorial personae and tying that mythology to the scientific discoveries, popular trends and business needs of the day. Avoiding central organization they were able to act with a personal anonymity that proved the secret of their success.

James Ray wasn’t so discreet, and his deviation from the well tried practices of his ‘law of attraction’ forbearers lead him to the money shot that put a dent in his harmonic happiness. When you write a book it can be a powerful tool for moving the culture, but when you gather people in a group and direct their activity you take responsibility for where those folks move.

Ritual can take on many different forms, but always presents a more or less abstract reenactment of an ordeal. In our culture we’re used to things like the Catholic Mass where the ordeal is symbolically represented by wine and wafers. This is about as safe as ritual can get. A ritual such as the sweat lodge that Ray attempted with his group is much more direct, a full immersion through fire, heat, sensory deprivation, and mantra into the cave, or womb of rebirth.

In traditional cultures this process is attended by a deep community connection among the participants, as well as a full set of practice that include further ordeals such as suspension by piercings in the Sun Dance, and through dragging buffalo skulls attached by piercings in the Buffalo Dance. A sense of death is always present in these rituals; death is the key to the ordeal.

One of the critiques of the power of positive thinking is that it covers up potentially valuable insights from negative thoughts, as well as creates an illusory goal of achievement that can be met with disappointment. Another more subtle critique is that it leads people in to practices which are divorced from their root in actively resolving the dynamic interplay of positive and negative. When these misapplied practices are ritualized, or activated, they can have tragic results. Thinking you can sit in a super heated meditation chamber and doing it are two different things, and without the balance of negative forethought having an over eager teacher can be deadly.

Unfortunately for Ray his concept of universal harmony has some truth in it, and you do get what you give. The secret of success that his predecessors discovered was anonymity, which gave them the adaptability to change with the times and avoid serious prosecution when they ran afoul of the governing powers. Anonymity turns an office clerk by day into a mail order magus at night. He should have remembered that before knocking on Death’s door with a false smile and asking for favors. Death stands at the gate of initiation, as well as the gate of wealth, and with a face devoid of features rarely takes kindly to egoism.

***

David Metcalfe is an independent researcher and artist focusing on the interstices of art, culture, and consciousness. He is author of “Of Dice and Divinity – Some Thoughts on Gambling and the Western Tradition,” forthcoming in The Immanence of Myth.

Writing and scrawling regularly for The Eyeless Owl, his illustrations were brought to life in the animated collaborative grotesquery A Serious Enquiry Into the Vulgar Notion of Nature featured at select venues in downtown Chicago during the Spring and Fall of 2010. The Long Now Foundation has made the unlikely decision to include one of his illustrations in their 10,000 year library vault. He also co-hosts The Art of Transformations study group with support from the International Alchemy Guild.

Pre-order a copy of The Immanence of Myth, published by Weaponized in July 2011.

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