Human Demonology: Occupy Daath, or The Missing Protagonist

Satan Inc.

We may have reached a point where no choice or action can lead anywhere but mayhem, genocide and ecological apocalypse.

Why not buy from a big-box, low-rent retailer and fund human trafficking and forced labor? To get billions from point A to point B without resorting to walking or biking requires accepting environmental devastation, endless war and propping up dictatorial regimes. Mountains of Appalachia are leveled to provide the energy I'm using to power the laptop on which I write this. You are able to get online and read this because legal and moral crimes were committed. At the same time, behind all these things that make the way we live possible are the best efforts and innovations of millions of good people who do much to make life on earth better. Everyone drinks deeply from the same pool of atrocities. The picture all this makes varies with every map drawn of the territory. What the individual sees of their own self depends on which map they locate the “you are here” point. There is no master patter that can be laid over the landscape that can capture every aspect of the territory.

Bottom line, it is all myth in both the pejorative and philosophical sense.

Oftentimes, when trying to uncover the mythological underpinnings of our culture, the emphasis is on narrative and where character comes in. Attention can often concern itself on the question of from what protagonists and villains are made and how to make the greatest number identify with the one intended to represent the desirable behavior and thoughts. Entertainment "news", which has adapted so well to the web holds up the people in the creative industries behind whom the most cash has been spent. Reality shows and talent competitions perpetuate that hoary old Hollywood trope of the person in the street being discovered and plucked from obscurity. Cop shows with their tortured and earnest protagonists, the characters sketched out in most detail. The criminals get the most compelling and dramatic interactions with the intrepid heroes. The officials from higher up the law enforcement may be foils to "lone wolf" officers a la Dirty Harry, or the entire system could be represented as an occasionally squabbling, but unified family united against the criminals and the press, as in the original Law & Order and its myriad spinoffs. Generally, the victims, who represent neither law breakers nor law enforcement are props to kick off the plot so the real drama can proceed. This last group is where we find most of the population, helpless, at the mercy to the fates but for the authorities and their weapons and surveillance capabilities.

...the Cop Show has only three characters--victim, criminal, and policeperson--but the first two fail to be fully human--only the pig is real. Oddly enough, human society in the eighties (as seen in the other media) sometimes appeared to consist of the same three cliche/archetypes. First the victims, the whining minorities bitching about "rights"--and who pray tell did not belong to a "minority" in the eighties? Shit, even cops complained about their "rights" being abused. Then the criminals: largely non-white (despite the obligatory & hallucinatory "integration" of the media), largely poor (or else obscenely rich, hence even more alien), largely perverse (i.e. the forbidden mirrors of "our" desires). - Hakim Bey – Boycott Cop Culture 

Contesting "Human Nature": The Psychology of Power

By James Curcio art by Eugenio Rucuenco.

The Occupy Wall Street movement has taken aim at “the 1%,” but so far there has not been a great deal of consideration given to the culture or psychology of power.

Countering the charged, idealistic cry of the protesters comes the more cynical stance that “there will always be a 1%.” That, perhaps, it is human nature to claw our way to the "top of the pile," to slay the sitting King and take the throne. Certainly, that is a model we see mirrored in the heroic myths of antiquity.

As a result of our nature, are we forever cursed to live out a narrative of master / slave, of fascist dictator, of oppressor and oppressed? Should we resign ourselves to the "grim meathook future" that seems the inevitable outcome of the myth of the Leviathan, supposing no agents of chaos destabilize the true obsession of fascism? Not control as an end in itself, but rather control as the means to order and homogenization. This is the true face of the New American Century: one of peace secured through violence, possibly tooled atop a myth of racial purity.

The Mythology of Business part 2

This is Part 2 of an excerpted series for Reality Sandwich from the upcoming anthology The Immanence of Myth published by Weaponized. Purchase it on Amazon for $25. Read Part 1 on Reality Sandwich here.

Despite the exciting creative possibilities posed by new media in regard to myth, they do not come without a price. The danger presented by the presence of myth in modern media is paramount, and must be considered outside the mythic framework of industry, for instance, which reduces the material world to a matrix of profit and risk.

Though the propaganda of Fascist mythologies such as those of Nazis or the U.S.S.R. serve as the clearest example of these dangers, they exist in only slightly more subtle forms in the media produced by modern Capitalist states. (Subtlety in this case not being an indicator of benevolence, necessarily.) After all, it was Mussolini who declared fascism to be the merger of state and corporate power.