Cosmogenesis: In a Small Boat, Drifting on the Ocean/ Parts 3 and 4

By Brian George

3
In “Soul-Sick Nation; An Astrologer’s View of America,” Jessica Murray wrote:

“The placement of America’s Pluto infuses whatever it touches with a hybrid of control and desire. Since the country went off the gold standard, its symbols have become more and more estranged from their source meaning, but they are no less freighted with talismanic charge. It is easy to see how this would be the case, for Pluto governs the archetype of underground treasure; powerful secrets hidden within the psyche and raw mineral wealth hidden beneath the soil. Gold fever has been replaced in the history of America by oil fever, now ratcheted up to a fatal condition…

“A consummate example of this (distorted Plutonian) drive at work is the not-all-that Secret-Doctrine erected by several administrations’-worth of policymakers. This document outlines, quite specifically, a geopolitical and military action plan whereby an alliance of business and governmental elements would achieve control of the world’s resources. Kind of exactly like the I-want-to-rule-the-world-Bwa-ha-ha-ha plotline that super villains are always hatching in comic books. One gets the same feeling from Donald Rumsfeld’s pithy phrase 'Full Spectrum Dominance.' It sounds like he dug it out of an old copy of Superman…

“We expect there to be a self-destructive subtext whenever Pluto is involved; we don’t see it as incongruous. Sometimes this undercurrent results in creative self-destruction, whereby a person or a group entity experiences nothing less than rebirth in the area in question. Otherwise, the self-destruction is blind.”

4
Black gold and Pluto’s helmet of invisibility

In 1980, just before or after Reagan’s victory, I had a kind of upside-down visionary experience, in which dread and horror were the dominant emotions. I was visiting my family in Worcester, at the house where I grew up, and was dozing off in my bedroom. This was a room in which I had many out-of-body experiences—at first involuntary, and, as time went on, more voluntary, if not completely under my control. I was used to strange things happening. In any case, I was just dozing off in my bedroom, when, all of a sudden, an incredible kind of a rip occurred—as though the top layer of North America had separated from its under-layer, and I had been sucked through some jagged opening into the darkness underneath.

The experience was intoxicating, in a way, in that it involved a sense of vast expansion, as well as a kind of split-second initiation into a layer of secret knowledge. I saw darkness swirling in intricate and yet chaotic patterns—like rivers of oil flowing into lakes of oil, a kind of world war of kaleidoscopic clouds, boiling beneath the surface of the Earth. It struck me that Earth’s overlords all had knowledge of and access to these forces, which the greater part of humanity was quite content to ignore—much as we choose not to think about the insides of our bodies, particularly our digestive systems. The dominant reality here was power: Acts of naked power and the lust for ever more power and the incantation of key words of power and raw magical assertions of the will.

I felt that, with each act of power and magical assertion of the will, a piece was being ripped out of the Whole—which I saw as being a luminous sphere, or a fabric, or a body—a Whole whose structure had been originally self-evident, but which was becoming more and more difficult to see or to imagine. What was seized by forces in one part of the Whole was taken from another, until only an underground sea of darkness, heaving with ill-gotten wealth, was left. As I said, the experience was a visionary one, but with none of the sense of liberation that usually comes with such experiences. I was traumatized, and barely able to function for several weeks. At first, I couldn’t speak about or conceptualize the experience at all.

As important as it was, I have seldom written about the experience too directly—perhaps because the darkness did not have clear-cut edges, and because the information came at me in an overwhelming rush. It took me more than a year to begin to incorporate some of the insights gained into my work. In the three decades since, I have come to realize that this experience of the secret order of the underworld was not only—or even primarily—a metaphorical one. Instead, it was a preview of the political, cultural, and economic forces that would manifest—like a death flash video—in the events of the external world.


(Illustration: Max Bechmann, Death)

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